Author Archives: Alan

Hear SBTRKT's Heavy Remix of Chance the Rapper's 'All We Got'

The English electronic producer SBTRKT released a bracing, stop-start remix of Chance the Rapper‘s “All We Got” on Thursday. The original song, from Chance’s album Coloring Book, is a jubilant opening song featuring Kanye West and the Chicago Children’s Choir.

This article originally appeared on www.rollingstone.com: Hear SBTRKT’s Heavy Remix of Chance the Rapper’s ‘All We Got’


Source: Rolling Stone Music News

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Hear SBTRKT’s Heavy Remix of Chance the Rapper’s ‘All We Got’

Belle and Sebastian Plot U.S. Tour

Belle and Sebastian will tour North America in June, performing 17 shows around the U.S., Mexico and Canada. After visiting Australia in May and making a quick stop at the Primavera Sound festival in Spain, the Scottish group kicks off their Stateside run on June 5th in Portland, Maine. They wrap up on

This article originally appeared on www.rollingstone.com: Belle and Sebastian Plot U.S. Tour


Source: Rolling Stone Music News

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Belle and Sebastian Plot U.S. Tour

Inside Dan Auerbach's Own Rolling Thunder Revue

Dan Auerbach can’t even make it to the dressing room before he has to stop to talk about the gig he just played. “This is the most fun I’ve had onstage,” he says, beaming in the hallway of Seattle’s Showbox nightclub as roadies navigate around him. “This band, these players, these legends – this is exactly why I love

This article originally appeared on www.rollingstone.com: Inside Dan Auerbach’s Own Rolling Thunder Revue


Source: Rolling Stone Music News

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Inside Dan Auerbach’s Own Rolling Thunder Revue

AES E-Library Subscriptions Benefit Institutions and Organizations

The Audio Engineering Society E-Library

Does your research staff, faculty or students deserve access to the world’s most comprehensive collection of audio information? The continuously growing Audio Engineering Society (AES) E-Library contains over 16,000 fully searchable PDF files documenting the progression of audio research from 1953 to the present day. It includes every AES paper published from every AES convention and conference, as well as those published in the Journal of the Audio Engineering Society. From the phonograph to MP3s, from early concepts of digital audio through its fulfillment as the mainstay of audio production, distribution and reproduction, to leading-edge realization of spatial audio and audio for augmented and virtual reality, the E-Library provides a gateway to both the historical and the forward-looking foundational knowledge that sustains an entire industry. 

The AES E-Library has become the go-to online resource for anyone looking to gain instant access to the vast amount of information gathered by the Audio Engineering Society through research, presentations, interviews, conventions, section meetings and more. “Our academic and research staff, and PhD and undergraduate Tonmeister students, use the AES E-Library a lot,” says Dr. Tim Brookes, Senior Lecturer in Audio & Director of Research Institute of Sound Recording (IoSR) University of Surrey. “It’s an invaluable resource for our teaching, for independent student study and, of course, for our research.”

“Researchers, academics and students benefit from E-Library access daily,” says Joshua Reiss, Chair of the AES Publications Policy Committee, “while many relevant institutions – academic, governmental or corporate – do not have an institutional license of the AES E-library, which means their staff or students are missing out on all the wonderful content there. We encourage all involved in audio research and investigation to inquire if their libraries have an E-Library subscription and, if not, suggest the library subscribe.”

E-Library subscriptions can be obtained directly from the AES or through journal bundling services. A subscription allows a library’s users to download any document in the E-Library at no additional cost.

“As an international audio company with over 25,000 employees world-wide, the AES E-library has been an incredibly valuable resource used by Harman audio researchers, engineers, patent lawyers and others,” says Dr. Sean Olive, Acoustic Research Fellow, Harman International. “It has paid for itself many times over.”

The fee for an institutional online E-Library subscription is $1800 per year, which is significantly less than equivalent publisher licenses.

To search the E-library, go to http://www.aes.org/e-lib/.
 
To arrange for an institutional license, contact Lori Jackson directly at lori.jackson@aes.org, or go to http://www.aes.org/e-lib/subscribe/.


Source: AES News

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AES E-Library Subscriptions Benefit Institutions and Organizations

Ozzy Osbourne Files Antitrust Lawsuit Against AEG

Ozzy Osbourne has filed an antitrust lawsuit against venue owner and concert promoter Anschutz Entertainment Group, Inc. (AEG) for a policy that allegedly requires that acts booked at London’s O2 Arena must also perform as part of the same tour cycle at Los Angeles’ Staples Center. Both venues are owned by

This article originally appeared on www.rollingstone.com: Ozzy Osbourne Files Antitrust Lawsuit Against AEG


Source: Rolling Stone Music News

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Ozzy Osbourne Files Antitrust Lawsuit Against AEG